Poort met draken van de tempel van Shiba, Tokyo, Japan - Kusakabe Kimbei
Archival giclée
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Description
An albumen print by Kusakabe Kimbei depicting the ornate dragon-adorned gate of the Shiba Zojoji Temple in Tokyo during the late nineteenth century.
This albumen print by Kusakabe Kimbei captures the ornate architecture of the Shiba Zojoji Temple in Tokyo. During the late nineteenth century, Kimbei operated a successful studio in Yokohama, producing high-quality photographs for both domestic patrons and the growing number of international travellers visiting Japan. His work often documented traditional sites, providing a visual record of structures that were frequently subject to the rapid modernisation of the Meiji period.
The composition focuses on the temple gate, which is adorned with elaborate dragon carvings wrapped around the structural pillars. The wooden craftsmanship is visible in the detailed relief work, while the roof structure demonstrates the traditional bracket systems common in Japanese religious architecture. Two figures stand near the entrance, providing a sense of scale to the massive wooden gate. The image is presented in a characteristic octagonal crop, a common format for photographs mounted in albums of this era.
Kimbei was a student of Felice Beato and later worked with Baron Raimund von Stillfried. His technical proficiency is evident in the clarity of the architectural details and the balanced exposure of the scene. The photograph serves as a document of the Zojoji Temple, a site associated with the Tokugawa shogunate. By capturing the interplay between the human figures and the monumental gate, Kimbei provides a view into the aesthetic priorities of the period. The print retains the sepia tones typical of the albumen process, which has aged to produce a warm, monochromatic palette. This work remains a significant example of the commercial photography industry that flourished in Japan during the late nineteenth century, catering to an interest in the country's cultural heritage.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Poort met draken van de tempel van Shiba, Tokyo, Japan - Kusakabe Kimbei
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