Porta Maggiore - Giovanni Giacomo de' Rossi
Archival giclée
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Description
A detailed seventeenth-century etching of the Porta Maggiore in Rome, capturing the monumental Claudian architecture and its ancient aqueduct inscriptions.
This etching depicts the Porta Maggiore, one of the eastern gates in the ancient Aurelian Walls of Rome. The structure, originally built by the Emperor Claudius in 52 AD, served as a monumental arch for the Aqua Claudia and Anio Novus aqueducts. Giovanni Giacomo de' Rossi, a prominent Roman publisher and printmaker, produced this work as part of a broader documentation of the city's classical antiquities. The print captures the heavy, rusticated masonry characteristic of the Claudian style, with its distinct double-arched gateway and the prominent epigraphic inscriptions that detail the history of the aqueducts.
The composition employs precise line work to convey the texture of the weathered travertine stone. The artist includes a small figure on horseback in the foreground, which provides a sense of scale against the massive proportions of the gate. The surrounding wall sections, punctuated by smaller arches, extend to the edges of the frame, grounding the monument in its historical context. The text below the image provides a contemporary description of the site, identifying it as the former Porta Praenestina and noting its dual function as both a city entrance and a conduit for water.
Prints of this nature were highly sought after by travellers on the Grand Tour, who collected such images to document their experiences in Italy. The work reflects the seventeenth-century interest in archaeology and the systematic recording of Roman ruins. By focusing on the structural integrity and the legible Latin inscriptions, the artist presents a clear, objective view of the monument. This print remains a valuable record of the site's appearance before later excavations and restorations altered its surroundings. The clean, disciplined lines and the balanced perspective demonstrate the technical proficiency of the de' Rossi workshop in disseminating architectural knowledge to a wider European audience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Porta Maggiore - Giovanni Giacomo de' Rossi
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