Portrait II (Joan Miró) - Joan Miró
Archival giclée
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Made to order
Description
A candid, monochromatic photographic portrait of the Spanish surrealist artist Joan Miró, captured in a moment of quiet reflection.
This photographic portrait captures the Spanish artist Joan Miró in a moment of quiet contemplation. Unlike the whimsical, abstract forms that define his paintings, this image presents the artist in a formal, grounded manner. The composition relies on natural light, which illuminates the side of his face while leaving the background in a soft, atmospheric blur. The architectural elements visible behind him suggest a domestic or studio setting, providing a sense of place without distracting from the subject.
Miró, known for his contributions to Surrealism, often explored the subconscious through fluid shapes and primary colours. In this photograph, however, the focus is on the physical presence of the man himself. The image offers a rare glimpse into the persona of an artist who spent his career translating internal visions into external reality. The monochromatic palette emphasises the textures of his suit and the subtle contours of his expression, creating a sense of intimacy.
This print is a museum-grade reproduction of the original photographic work. It maintains the tonal range of the initial negative, ensuring that the interplay between light and shadow remains clear. The image is suitable for those interested in the history of twentieth-century art and the personal lives of its figures. By documenting the artist in a candid, unposed fashion, the photograph provides a human dimension to the legacy of a creator who transformed modern visual language. It is a study in stillness, capturing the man behind the iconic surrealist works.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait II (Joan Miró) - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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