Portrait of Alexander Lanskoy, Aide-de-camp to the Empress - Dmitry Levitzky
Archival giclée
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Description
A formal 1782 portrait by Dmitry Levitzky depicting Alexander Lanskoy, an aide-de-camp to Empress Catherine the Great, in his military uniform.
Dmitry Levitzky, a master of the Russian portrait tradition, painted this work in 1782. It depicts Alexander Lanskoy, a favoured aide-de-camp to Empress Catherine the Great. The composition follows the conventions of eighteenth-century court portraiture, placing the subject in a formal setting that communicates his status and proximity to the throne.
Lanskoy is shown in his military uniform, which features a scarlet coat, gold embroidery, and a blue sash. His posture is relaxed yet authoritative, with one hand resting upon a stone pedestal. Beside him sits a marble bust of Catherine the Great, a visual device that links the subject directly to the monarch. The background includes a dark, heavy curtain and a classical column, elements that provide a sense of architectural weight and historical gravity to the scene.
Levitzky demonstrates his technical skill through the rendering of textures. The sheen of the silk sash, the metallic glint of the embroidery, and the soft, matte surface of the marble bust are all captured with precision. His approach to light and shadow creates a sense of volume, giving the figure a physical presence within the frame. The colour palette is dominated by the contrast between the bold red of the uniform and the cooler, muted tones of the background, which ensures that the viewer's attention remains fixed on the sitter.
This portrait is a representative example of the Russian Enlightenment period. It reflects the aesthetic values of the imperial court, where art functioned as a means of documenting the hierarchy and personal connections of the ruling elite. Levitzky avoids excessive ornamentation, focusing instead on the psychological clarity of the sitter and the material reality of his attire. The work remains a primary source for understanding the visual culture of the Russian nobility during the late eighteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Alexander Lanskoy, Aide-de-camp to the Empress - Dmitry Levitzky
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