Portrait of Francisco Iturrino - André Derain
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A 1906 portrait of Spanish painter Francisco Iturrino by André Derain, showcasing the artist's focus on structural form and expressive brushwork.
This portrait depicts the Spanish painter Francisco Iturrino, a contemporary and associate of André Derain. Painted in 1906, the work captures the subject in a sombre, formal suit, set against a muted, textured background. Derain, a central figure in the Fauvist movement, employs a restrained palette here, contrasting with the more aggressive colour choices often associated with his work from the same period. The focus remains on the structural integrity of the face and the expressive quality of the hands.
Derain uses heavy, deliberate brushwork to define the contours of Iturrino's features. The elongated face and deep-set eyes suggest a psychological weight, moving away from traditional academic portraiture. The dark tones of the clothing anchor the composition, allowing the lighter, warmer skin tones of the face and hands to emerge. This approach reflects the influence of post-impressionist techniques, particularly the work of Paul Cézanne, whom Derain studied closely during this time. The brushstrokes are visible, creating a tactile surface that emphasises the physical act of painting.
Francisco Iturrino was a significant figure in the early twentieth-century art scene, known for his own colourful depictions of Spanish life. In this portrait, Derain captures a sense of gravity and introspection. The composition is balanced, with the subject positioned centrally, his hands resting on his lap. The lack of environmental detail ensures that the viewer's attention stays on the sitter's expression and posture. This piece provides a clear example of Derain's ability to balance formal structure with a modern, subjective interpretation of his subject. It remains a notable example of early twentieth-century portraiture, demonstrating the shift towards more individualistic and expressive modes of representation that defined the era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Francisco Iturrino - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like