Portrait of George Gilles Haanen - Elisabeth Alida Haanen
Archival giclée
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Description
A nineteenth-century Dutch double portrait by Elisabeth Alida Haanen, depicting the artist at her easel alongside her brother, George Gilles Haanen.
This painting depicts the artist Elisabeth Alida Haanen alongside her brother, the painter George Gilles Haanen. The composition is a double portrait that captures the domestic and professional environment of a nineteenth-century Dutch artist. Elisabeth is shown seated at her easel, holding a palette and brush, which identifies her role as a professional painter. Her brother stands beside her, dressed in formal attire, suggesting a close familial and professional bond between the two siblings.
The interior setting is rendered with attention to the textures of the period. A heavy green curtain hangs to the left, providing a backdrop that contrasts with the warm tones of the subjects' clothing. On the table, various artist tools are visible, including a paint box and a small stringed instrument, which adds a layer of narrative detail regarding their creative lives. The background includes a mirror and a clock under a glass dome, common features in the bourgeois interiors of the time. The lighting is controlled, focusing on the faces of the two figures while allowing the surrounding room to recede into shadow.
Elisabeth Alida Haanen was part of a notable family of artists in the Netherlands. Her work often reflected the conventions of Dutch portraiture during the mid-nineteenth century, prioritising clarity of form and a balanced arrangement of figures. This piece provides a view into the private sphere of the Haanen family, documenting their shared dedication to the arts. The painting is a record of the social standing and creative identity of the siblings, presented with the technical precision characteristic of the era. The inclusion of the easel and painting materials serves to document the active practice of the artist, rather than merely presenting a static likeness.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of George Gilles Haanen - Elisabeth Alida Haanen
Artist Biography
Elisabeth Alida Haanen
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
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