Portrait of George Pitt, First Baron Rivers - Thomas Gainsborough
Archival giclée
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Description
A full-length portrait by Thomas Gainsborough depicting George Pitt, First Baron Rivers, in his military uniform within a naturalistic setting.
Thomas Gainsborough painted this full-length portrait of George Pitt, later the first Baron Rivers, around 1769. The subject is depicted in his military uniform, reflecting his status as a colonel in the Dorset Militia. Gainsborough, known for his fluid brushwork and sensitive approach to portraiture, captures the sitter with a relaxed yet authoritative posture. Pitt stands in a naturalistic outdoor setting, a hallmark of Gainsborough's style, which often integrated the sitter into a soft, atmospheric environment rather than a rigid studio space.
The composition follows the tradition of the British grand manner portrait. The subject wears a red coat with green facings and white breeches, providing a clear contrast against the muted, earthy tones of the background. Gainsborough uses light to draw attention to the face and the texture of the uniform, while the surrounding trees and sky are rendered with looser, more gestural strokes. This technique creates a sense of movement and airiness, characteristic of the artist's later work.
George Pitt was a prominent figure in eighteenth-century British society, serving as a diplomat and politician. This portrait conveys his social standing through his attire and confident stance. The inclusion of the hat held in his hand and the walking stick adds a casual element to the formal presentation. Gainsborough's ability to balance the requirements of a formal commission with his own painterly interests is evident here. The work remains a fine example of the British portrait tradition, demonstrating the artist's skill in handling both the human figure and the surrounding environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of George Pitt, First Baron Rivers - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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