Portrait of Henri Matisse - André Derain
Archival giclée
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Description
A 1905 Fauvist portrait of Henri Matisse by André Derain, featuring bold, non-naturalistic colours and heavy brushwork.
André Derain painted this portrait of his friend and fellow artist Henri Matisse in 1905, during a summer spent together in the Mediterranean village of Collioure. This period is associated with the emergence of Fauvism, a movement defined by the use of non-naturalistic, arbitrary colour to express emotional states rather than descriptive reality. The work captures Matisse with a pipe, his features rendered through thick, deliberate brushstrokes and a palette that rejects traditional skin tones.
The composition is direct, focusing on the sitter's head and shoulders against a simplified background. Derain employs a stark contrast between the cool blue tones on the left side of the face and the warmer, flesh-toned ochres on the right. The beard is constructed from patches of dark red, black, and brown, applied with a heavy impasto that gives the surface a tactile quality. The blue shirt and the yellow pipe provide additional blocks of saturated colour, which sit flat against the canvas rather than receding into space.
This portrait functions as a record of the artistic dialogue between Derain and Matisse. By abandoning the subtle gradations of academic portraiture, Derain prioritises the autonomy of the paint itself. The visible brushwork and the rejection of realistic lighting reflect the experimental spirit of the early twentieth-century avant-garde. The painting remains a clear example of how Fauvist artists utilised colour as a primary structural element, rather than a secondary decorative feature. The raw application of pigment and the bold, simplified forms demonstrate the shift away from representational accuracy toward a more subjective interpretation of the subject.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Henri Matisse - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
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