Portrait of Paul Gauguin - Eugène Carrière
Archival giclée
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Description
A monochromatic portrait of Paul Gauguin by Eugène Carrière, capturing the artist's signature atmospheric style and focus on psychological depth.
This portrait of the painter Paul Gauguin is a characteristic example of the work of Eugène Carrière. Carrière is known for his monochromatic palette, often restricted to shades of brown, grey, and black. This technique, which he termed 'le flou', creates a sense of atmospheric depth and psychological distance. The subject emerges from a dark, indistinct background, with light catching only the essential features of the face and the collar of his shirt.
Carrière and Gauguin were part of the same Parisian artistic circles during the late nineteenth century. This portrait captures Gauguin during a period of transition, shortly before his first departure for Tahiti. The artist avoids the sharp lines and clear contours typical of academic portraiture. Instead, he uses soft, blurred brushwork to suggest form. This approach shifts the focus from physical likeness to the internal state of the sitter. The lack of detail in the clothing and the surrounding space forces the viewer to concentrate on the expression of the subject.
By stripping away colour, Carrière emphasises the emotional weight of the portrait. The paint is applied in thin, translucent layers, allowing the texture of the canvas to remain visible. This method produces a hazy, dreamlike quality that aligns with the Symbolist movement. The portrait functions as a study of personality rather than a mere record of appearance. It reflects the artist's interest in the intangible aspects of human existence. The work remains a quiet, contemplative piece that avoids the theatricality often found in portraits of the era. It is a study in restraint, where the absence of colour becomes a deliberate stylistic choice to convey a sense of mystery and introspection.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Paul Gauguin - Eugène Carrière
Artist Biography
Eugene Carriere
Born in Gournay-sur-Marne in 1849, Carrière came from Flemish and Alsatian stock and trained first as a lithographer before entering Alexandre Cabanel's atelier at the École des Beaux-Arts. A visit to London in 1876 introduced him to Turner, whose atmospheric dissolution of form left a lasting impression. His early Salon paintings were unremarkable naturalism; by the late 1880s he had arrived at something altogether stranger.
The mature Carrière works are almost entirely monochromatic: figures emerging from brown-grey shadow, outlines dissolving before they resolve, light used not to illuminate but to suggest. He returned obsessively to maternal subjects, mothers and infants locked in physical closeness that reads as both tender and slightly suffocating. Paul Verlaine and Edmond de Goncourt sat for him; he painted his own family with the same concentrated attention.
During the Dreyfus Affair he signed Zola's petition and campaigned publicly for women's education. Auguste Rodin organised a tribute dinner in his honour in 1904. Two years later Carrière died of throat cancer, the surgery intended to treat it having left him partly paralysed. The Musée d'Orsay mounted a centenary retrospective in 2006 and published the catalogue raisonné.
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