Portret van Georg Widmann - Johann Alexander Böner
Archival giclée
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Description
A 1668 engraving by Johann Alexander Böner depicting the scholar Georg Widmann, framed by classical architectural elements and Latin inscriptions.
This engraving from 1668 depicts Georg Widmann, a scholar and educator associated with the Gymnasium Aegidianum in Nuremberg. Johann Alexander Böner, a German engraver active in the late 17th century, captures the subject with the formal gravity typical of academic portraiture from the period. Widmann is shown in a half-length pose, dressed in the sober attire of a 17th-century academic, complete with a flat collar. His hand rests upon an open book, a common iconographic choice to denote his profession and intellectual pursuits.
The portrait is framed within an architectural structure, flanked by herms or caryatid-like figures that provide a sense of classical order. Above the portrait, a cartouche contains the subject's name and titles, while a larger, ornate cartouche below features a Latin inscription praising his contributions to the gymnasium. The inclusion of a coat of arms on the wall behind the subject adds a layer of heraldic detail, suggesting his status within the local community.
Böner employs precise line work to define the textures of the clothing, the stone wall, and the facial features of the sitter. The shading is achieved through a combination of cross-hatching and parallel lines, which creates a sense of volume and depth within the frame. The composition is highly structured, reflecting the conventions of 17th-century printmaking where the portrait is integrated into a decorative, symbolic framework. This piece serves as a record of the academic culture in Nuremberg during the late Baroque era, documenting the appearance and status of a specific individual through the medium of copperplate engraving. The print is a fine example of the technical skill required for such detailed portraiture, where the artist balances the realistic depiction of the sitter with the decorative requirements of the surrounding architectural elements.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portret van Georg Widmann - Johann Alexander Böner
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