Poster for Revue Bimestrielle - Johan Thorn Prikker
Archival giclée
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Description
A striking 1892 Symbolist lithograph by Johan Thorn Prikker, featuring a stylised, linear depiction of the Crucifixion designed for the Revue Bimestrielle.
This lithographic poster, created by the Dutch artist Johan Thorn Prikker in 1892, represents a significant example of Symbolist graphic design. The work was commissioned to advertise the Revue Bimestrielle, a publication associated with the avant-garde circles of the period. Thorn Prikker employs a highly stylised, linear aesthetic that draws upon the visual language of Art Nouveau while maintaining the melancholic, spiritual intensity characteristic of his Symbolist output.
The composition is dominated by a central figure of Christ on the cross, rendered with elongated, distorted proportions that emphasise suffering and spiritual weight. The crown of thorns and the surrounding circular motifs create a rhythmic, almost hypnotic visual structure. Above the central figure, a series of profile heads are arranged within circular frames, suggesting a connection to Byzantine iconography or early religious woodcuts. The use of bold, black outlines against a neutral background creates a stark, graphic quality that is typical of the posters produced for literary and artistic journals at the end of the nineteenth century.
Thorn Prikker was deeply involved in the international Symbolist movement, and this work reflects his interest in the fusion of religious themes with modern decorative sensibilities. The lettering at the base is integrated into the overall design, demonstrating the artist's attention to the relationship between typography and image. This piece provides a clear view into the aesthetic preoccupations of the 1890s, where artists sought to move beyond naturalism in favour of expressive, symbolic forms. The print captures the tension between traditional religious iconography and the emerging modern graphic style, making it a compelling study for those interested in the history of European poster art and the development of early modern design.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Poster for Revue Bimestrielle - Johan Thorn Prikker
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