Proef van grafische techniek - Cornelis Ploos van Amstel
Archival giclée
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Description
A technical study by Cornelis Ploos van Amstel, documenting experimental etching and aquatint marks on a copper plate.
This work, titled Proef van grafische techniek, offers a rare glimpse into the experimental methodology of Cornelis Ploos van Amstel. As a prominent Dutch printmaker and collector, Ploos van Amstel dedicated much of his career to the development of printmaking techniques that could replicate the appearance of drawings and watercolours. This specific plate functions as a technical trial, demonstrating the application of line work and tonal variation within a controlled space.
The composition is minimalist, focusing on the physical properties of the copper plate and the interaction between the etching needle and the ground. The visible marks represent various pressures and densities, allowing the artist to test how different depths of incision hold ink. The presence of cross-hatched sections alongside lighter, more delicate strokes reveals the systematic approach required to achieve specific tonal values. Such studies were essential for the artist to master the complex layering of aquatint and etching, which he famously employed to create his facsimile prints of Old Master drawings.
For the modern viewer, this print provides an insight into the material reality of eighteenth-century printmaking. It lacks the narrative focus of traditional portraiture or topographical scenes, instead prioritising the mechanics of the medium. The paper retains its original texture, and the plate mark is clearly defined, framing the experimental marks within a formal boundary. This piece is a document of process, showing the analytical mind of an artist who sought to bridge the gap between the spontaneity of the hand-drawn mark and the reproducibility of the printed page. It is a quiet, academic work that rewards close inspection of its technical nuances.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Proef van grafische techniek - Cornelis Ploos van Amstel
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