Profiel (meisjesprofiel) - Samuel Jessurun de Mesquita
Archival giclée
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Description
A striking lithographic portrait by Samuel Jessurun de Mesquita, featuring a minimalist profile silhouette defined by bold contrast and clean lines.
Samuel Jessurun de Mesquita was a Dutch graphic artist known for his mastery of various printmaking techniques. This lithograph, titled Profiel (meisjesprofiel), demonstrates his ability to reduce a subject to its essential forms. The composition relies on a stark contrast between the light, unprinted paper and the heavy, dark ink used to define the background and the subject's hair.
By focusing on the silhouette, the artist removes extraneous detail. The profile view captures the curve of the forehead, the bridge of the nose, and the gentle line of the chin. The dark, textured ink surrounding the figure creates a sense of depth, pushing the subject forward. The brushwork visible in the dark areas suggests the physical process of applying ink to the lithographic stone, providing a tactile quality to the print.
De Mesquita often explored themes of isolation and introspection in his work. This portrait avoids narrative elements, instead presenting a quiet, contemplative study of a human face. The economy of line and the balance of positive and negative space are characteristic of his approach to graphic art. His work often reflects a synthesis of observation and stylistic simplification, a method that allowed him to capture the character of his subjects without relying on realism. This print is a clear example of his technical precision and his preference for bold, graphic compositions that prioritise form over decorative detail. The work remains a study in minimalism, where the absence of colour and the deliberate use of shadow create a focused, singular image.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Profiel (meisjesprofiel) - Samuel Jessurun de Mesquita
Artist Biography
Samuel Jessurun De Mesquita
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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