Provence. Pines on the shore - Ivan Bilibin
Archival giclée
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Description
A detailed graphite study of gnarled pine trees on the Provençal coast, rendered by Russian artist Ivan Bilibin in 1929.
This graphite drawing by Ivan Bilibin, dated 1929, captures the rugged coastal terrain of Provence. Bilibin, widely recognised for his graphic work and illustration, demonstrates a shift here from his typical folkloric style toward a more observational approach to nature. The composition focuses on the gnarled, twisting forms of pine trees that cling to the rocky shoreline. Their exposed roots and bent trunks suggest the harsh conditions of the coastal environment, where wind and salt shape the growth of the vegetation.
Bilibin employs a precise, controlled line to define the textures of the bark and the rocky ground. The shading is applied with care, creating a sense of volume and depth without relying on excessive detail. The background remains relatively simple, allowing the silhouettes of the trees to dominate the frame. This work reflects the artist's period of emigration, during which he spent time in France and Egypt before returning to the Soviet Union. The drawing provides a glimpse into his technical skill beyond the decorative arts for which he is often associated. The stark contrast between the dark, heavy forms of the trees and the lighter, more open space of the sea creates a balanced visual tension. It is a study of form and resilience, rendered with the clarity and discipline characteristic of Bilibin's graphic output. The signature and date are clearly visible in the lower left corner, confirming the work's provenance within his later career.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Provence. Pines on the shore - Ivan Bilibin
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