Queen Charlotte - Thomas Gainsborough
Archival giclée
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Description
A refined portrait of Queen Charlotte by Thomas Gainsborough, capturing the monarch in an elaborate gown with a spaniel at her feet.
Thomas Gainsborough painted this full-length portrait of Queen Charlotte, consort to King George III, around 1781. The work captures the Queen in a formal setting, yet it retains the fluid, painterly touch characteristic of Gainsborough's mature style. She stands in a pose of quiet composure, dressed in an elaborate gown adorned with lace and gold accents, reflecting the fashion of the late eighteenth-century British court.
To her side, a small spaniel looks towards the viewer, adding a touch of domesticity to the royal representation. The background features a heavy, draped curtain in a deep crimson hue, which contrasts with the lighter, cooler tones of the Queen's attire. Through an arched opening on the left, a glimpse of a park-like setting suggests the grounds of a royal residence. Gainsborough uses light to draw attention to the Queen's face and the textures of her silk dress, employing his signature feathery brushwork to suggest the shimmer of fabric and the softness of her features.
This portrait is part of a series of royal commissions that Gainsborough undertook during his time in London. Unlike the more rigid, formal portraits produced by his contemporaries, this piece demonstrates his interest in capturing a sense of individual character. The composition balances the requirements of state portraiture with the artist's personal preference for naturalism and atmospheric effects. The painting remains a clear example of the British portrait tradition, where the sitter's status is communicated through both costume and the surrounding environment, while the execution reveals the technical skill of one of the most celebrated painters of the Georgian era.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Queen Charlotte - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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