Reclame voor het tijdschrift De Reiswijzer - Isaac Weissenbruch
Archival giclée
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Description
A vintage lithographic advertisement for the Dutch magazine 'De Reiswijzer', featuring a steam locomotive design by Isaac Weissenbruch.
This lithographic advertisement for the Dutch periodical 'De Reiswijzer' demonstrates the creative integration of typography and industrial imagery common in late nineteenth-century commercial art. Isaac Weissenbruch, a Dutch artist and printer, employs the silhouette of a steam locomotive to serve as the primary vehicle for the publication's promotional details. The design cleverly maps the magazine's title, subscription price, and office location onto the body and wheels of the engine, transforming a functional advertisement into a cohesive graphic object.
The use of a steam train as a central motif reflects the era's fascination with travel, speed, and the expansion of railway networks across Europe. By placing the text within the engine's chassis and the smoke plume, the artist ensures that the viewer associates the magazine with the efficiency and modernity of rail transport. The composition is deliberately flat, prioritising legibility and the bold impact of the black ink against the paper ground. This approach is characteristic of early advertising ephemera, where the objective was to capture the attention of a passerby through clear, symbolic communication.
Weissenbruch's work provides a glimpse into the visual culture of Amsterdam during the late 1800s. The inclusion of the specific address, 'Heerengracht, P.C.L. van Staden C.z, hoek Hartenstraat', grounds the piece in a tangible urban context. The handwritten annotation in the upper right corner suggests this specific print may have been used as a proof or a reference copy for a local exhibition. As a piece of graphic history, it captures the intersection of print technology and the burgeoning travel industry, offering a direct look at how information was disseminated before the advent of modern digital marketing.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Reclame voor het tijdschrift De Reiswijzer - Isaac Weissenbruch
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