Reclining Nude - Marc Chagall
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
An early modernist study by Marc Chagall, depicting a reclining figure in a warm, expressive interior setting.
This work, produced during Marc Chagall's early period in Paris, captures a departure from the folk-inspired themes often associated with his later career. The composition features a reclining female figure positioned upon a chaise longue, rendered with the expressive, non-naturalistic distortion characteristic of his formative years in the French capital. The figure is elongated and angular, with anatomical proportions adjusted to suit the emotional weight of the scene rather than objective reality.
Behind the figure, a vase of flowers sits upon a small table, providing a contrast to the warm, earthy tones of the interior. The palette is dominated by ochres, deep reds, and browns, which create a sense of intimacy within the domestic space. Chagall employs a visible, energetic brushwork that defines the contours of the body and the folds of the drapery. The background is simplified, allowing the focus to remain on the interaction between the subject and the surrounding environment.
Unlike the dreamlike, floating figures that populate his later output, this piece demonstrates a grounded, physical presence. It reflects the influence of the various avant-garde movements circulating in Paris at the time, such as Fauvism and early Cubism, yet it retains a distinct personal quality. The artist uses colour to establish mood, with the deep red curtain providing a stark backdrop that pushes the figure forward. This print offers a view into the experimental phase of an artist who would go on to define much of twentieth-century visual culture through his unique synthesis of memory, folklore, and personal experience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Reclining Nude - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like