Reliekschrijn, van opzij gezien - Pieter Balthasar Bouttats
Archival giclée
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Description
A detailed etching by Pieter Balthasar Bouttats depicting a classical reliquary shrine from a side perspective, likely created for an eighteenth-century publication.
This etching by the Flemish artist Pieter Balthasar Bouttats depicts a reliquary shrine from a side perspective. The work functions as a technical illustration, likely intended for a publication given the notation in the upper right corner, 'tom. I. post pag. 628'. The composition employs a precise, linear approach to document the architectural and sculptural details of the object.
The shrine is constructed in a classical style, featuring a series of columns that create rhythmic bays. Within these bays, figures of saints and ecclesiastical leaders are rendered with careful attention to their vestments and postures. The upper tier of the shrine includes a central niche containing a seated figure, flanked by additional statuary. The artist uses fine, controlled lines to define the shadows and textures of the stone, providing a clear sense of volume and spatial depth.
Bouttats, a member of a prominent family of engravers in Antwerp, demonstrates a high level of technical proficiency in this print. The perspective is constructed to allow the viewer to observe both the length of the shrine and the depth of its architectural features. The floor is marked with a grid pattern, which serves to ground the object in a defined space. The overall aesthetic is one of order and clarity, typical of eighteenth-century documentary printmaking. This piece offers a glimpse into the intersection of religious art and the dissemination of visual information through the medium of the printed book. It remains a precise record of ecclesiastical craftsmanship, captured with the disciplined hand of a professional engraver.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Reliekschrijn, van opzij gezien - Pieter Balthasar Bouttats
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