Resurrection - Martin Schongauer
Archival giclée
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Description
A masterwork of Northern Renaissance engraving by Martin Schongauer, depicting the Resurrection with precise line work and narrative detail.
Martin Schongauer was a master of the burin, and his work represents the technical zenith of German engraving during the late fifteenth century. This print, depicting the Resurrection, demonstrates his ability to create complex narrative scenes within a restricted monochrome palette. The composition is organised around the central figure of Christ, who stands with one foot resting upon the edge of the sarcophagus. His posture is upright and calm, contrasting with the disarray of the soldiers surrounding the tomb.
Schongauer employs a variety of hatching techniques to define form and texture. The drapery of Christ's robe is rendered with fluid, curving lines that suggest weight and movement, while the armour of the soldiers is depicted with short, dense strokes to convey the metallic sheen of steel. The artist includes an angel positioned behind the tomb, holding a banner, which adds a vertical element that balances the horizontal weight of the stone lid and the reclining figures of the guards. The inclusion of the artist's monogram, M+S, at the bottom centre is a characteristic feature of his prints, marking his professional identity as a printmaker in Colmar.
This engraving reflects the Northern Renaissance interest in naturalistic detail combined with theological symbolism. The soldiers are shown in various states of surprise or slumber, their expressions and poses providing a human reaction to the miraculous event. The background is kept relatively simple, ensuring that the focus remains on the interaction between the divine figure and the earthly witnesses. The precision of the line work allows for a high degree of clarity, even in the smaller details such as the foliage at the base and the individual links of the chainmail. This work remains a primary example of the technical sophistication achieved by early printmakers in the Holy Roman Empire.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Resurrection - Martin Schongauer
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