Revolutie, decoratie op het Burgerplein te Amsterdam - Noach van der Meer (II)
Archival giclée
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Description
A detailed 1795 etching by Noach van der Meer (II) depicting the political decorations on the Burgerplein in Amsterdam during the Batavian Revolution.
This etching by Noach van der Meer (II) documents the temporary decorative structures erected on the Burgerplein in Amsterdam during the Batavian Revolution of 1795. The work captures the visual language of the period, which sought to align the Dutch political transition with the ideals of the French Revolution. The central monument features an oval medallion depicting a figure amidst a storm, a common allegory for the turbulent birth of a new republic. The pedestal is inscribed with the words 'NATIONAALE DEUGD', or National Virtue, reflecting the moralistic tone of the era's political discourse.
The composition is formal and symmetrical, typical of the Neoclassical style applied to public monuments and ephemeral architecture. Surrounding the central medallion are various flags, representing the new political alliances and the shift in national identity. The figures standing at the base of the monument provide a sense of scale and offer a glimpse into the contemporary dress of the late eighteenth century. Van der Meer, a skilled engraver, employs precise line work to define the architectural elements of the pedestal and the delicate details of the flags. The hand-applied colour adds a layer of clarity to the heraldic elements, distinguishing the various banners that were displayed during the public celebrations.
This print serves as a historical record of the visual culture surrounding the Batavian Republic. It demonstrates how public spaces were transformed into sites of political education and celebration. The work is a clear example of how printmakers of the time disseminated images of civic events to a wider audience, ensuring that the symbols of the new order were understood by the populace. The clarity of the engraving and the deliberate arrangement of the symbols make it a useful study of late eighteenth-century Dutch political iconography.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Revolutie, decoratie op het Burgerplein te Amsterdam - Noach van der Meer (II)
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