Ridder te paard - Antoon Derkinderen
Archival giclée
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Description
A striking Symbolist lithograph by Antoon Derkinderen, featuring a stylised knight and horse rendered in bold, graphic contrast.
Antoon Derkinderen was a central figure in the Dutch Symbolist movement, known for his decorative approach to graphic arts and his interest in medieval themes. This lithograph, Ridder te paard, displays the characteristic flatness and stylised forms that defined his work during the late nineteenth century. The composition features a knight standing beside a horse, positioned before an architectural archway. The scene is rendered with a focus on silhouette and bold, graphic contrast rather than realistic depth or anatomical precision.
Derkinderen often drew inspiration from historical narratives and legendary subjects, treating them with a sense of quiet, contemplative mystery. The figure of the knight, adorned with a cross, suggests a spiritual or chivalric allegory. The surrounding flora and the sweeping, dark forms in the upper register contribute to a dreamlike atmosphere. The artist utilised the lithographic medium to achieve a stark, monochromatic effect, where the interplay between the white of the paper and the deep, dark ink creates a sense of graphic weight.
This work reflects the broader European interest in the decorative potential of line and form during the fin de siècle period. Derkinderen's style is marked by a rejection of academic naturalism in favour of a more rhythmic, symbolic visual language. The print demonstrates his ability to balance figurative elements with abstract, ornamental patterns, creating a cohesive image that feels both archaic and modern. As a practitioner of the decorative arts, Derkinderen sought to integrate his graphic style into the broader environment, often working on murals and stained glass, which informs the structured, almost architectural quality of this print. The work remains a clear example of his contribution to the graphic arts in the Netherlands.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ridder te paard - Antoon Derkinderen
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