Road Running Beside the Paris Ramparts - Vincent van Gogh
Archival giclée
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Description
A study of the Parisian outskirts, this work captures the intersection of urban architecture and open space through Van Gogh's expressive brushwork.
Painted during his residence in Paris between 1886 and 1888, this work captures the outskirts of the city where urban development met the remnants of the old fortifications. Vincent van Gogh depicts a wide, dusty road stretching towards the horizon, flanked by the imposing stone walls of the ramparts on the right and open fields on the left. The composition is dominated by the expansive, turbulent sky, rendered with quick, directional brushstrokes that suggest a sense of movement and atmospheric pressure.
Van Gogh employs a palette of ochre, pale yellow, and muted blues to convey the light of a late afternoon. The figures walking along the road are small, anonymous silhouettes, providing a sense of scale to the vast, open space. The architecture in the distance, painted in warmer tones of terracotta and cream, sits quietly against the horizon line. This piece reflects the artist's experimentation with the techniques of his contemporaries, particularly the use of short, broken brushstrokes and a lighter colour palette compared to his earlier Dutch works.
The painting offers a glimpse into the transitional nature of Paris during the late nineteenth century, as the city expanded beyond its historical boundaries. The contrast between the solid, man-made structures and the open, uncultivated ground creates a tension that is characteristic of Van Gogh's observations of the urban periphery. The application of paint is direct, with the texture of the canvas visible in areas, allowing the viewer to engage with the physical process of the artist's work. This print captures the specific light and mood of the original, preserving the raw energy of Van Gogh's brushwork.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Road Running Beside the Paris Ramparts - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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