Robert Bayfield - William Faithorne the Elder
Archival giclée
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Description
A 1654 portrait engraving of physician Robert Bayfield by the master printmaker William Faithorne the Elder.
This engraving by William Faithorne the Elder depicts Robert Bayfield, a physician and author, at the age of twenty-five. Produced in 1654, the work demonstrates the technical precision that defined Faithorne's career as one of the most accomplished engravers of the seventeenth century in England. The portrait is contained within an oval frame, a common convention for frontispieces of the period, which includes the subject's name and age in Latin. Below the portrait, a small heraldic shield is positioned above a four-line verse that contrasts the physical likeness of the man with the intellectual content found in his medical writings.
Faithorne employs a sophisticated system of cross-hatching and varying line weights to model the subject's features and the texture of his clothing. The light source is directed from the upper left, creating subtle shadows that define the contours of the face and the folds of the doublet. The artist's ability to render the soft quality of the hair and the crispness of the collar reflects his training under Robert Peake and his subsequent exposure to French printmaking techniques during his exile in Paris. The composition is balanced and formal, adhering to the conventions of seventeenth-century portraiture where the sitter's status is conveyed through a combination of sober attire and direct, steady gaze.
As a master of the burin, Faithorne achieved a level of detail that allowed his prints to serve as authoritative records of contemporary figures. This specific engraving was created for Bayfield's medical publications, acting as a visual introduction to the author for his readership. The clarity of the lines and the deliberate use of negative space within the oval frame ensure that the focus remains entirely on the subject, providing a clear window into the appearance of a mid-seventeenth-century professional.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Robert Bayfield - William Faithorne the Elder
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