Rue Transnonain, April 15, 1834 - Honoré-Victorin Daumier
Archival giclée
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Description
A powerful lithograph by Honoré-Victorin Daumier depicting the aftermath of a civilian massacre in Paris during the 1834 civil unrest.
Honoré-Victorin Daumier produced this lithograph in response to the civil unrest in Paris during April 1834. The image depicts the aftermath of a massacre in a tenement building on the Rue Transnonain, where government troops killed unarmed civilians following a sniper attack on their patrol. Daumier focuses on the domestic interior, showing a man in his nightshirt lying dead across his bed, having fallen onto the floor. Beneath him, the body of a child is visible, while the feet of another victim appear in the background.
The composition is stark and unadorned. Daumier uses the lithographic medium to create deep, dramatic shadows that contrast with the pale, crumpled bedclothes. The artist avoids heroic or romanticised depictions of death. Instead, he presents the scene with a cold, journalistic precision that forces the viewer to confront the brutality of the event. The man's posture is awkward and heavy, conveying the suddenness of his end.
This work was published by the Association Mensuelle, a group that distributed prints to subscribers to fund legal defences for journalists. The government attempted to suppress the image by seizing the lithographic stone and destroying as many prints as possible. Despite these efforts, the work circulated widely, becoming a recognised symbol of state violence. Daumier's ability to capture the quiet horror of a private space violated by public conflict remains a defining characteristic of his career. The print is a direct observation of political reality, stripped of artifice and sentimentality. It serves as a record of the tension between the French monarchy and the working population during the July Monarchy.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Rue Transnonain, April 15, 1834 - Honoré-Victorin Daumier
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