Ruins of the Septizonium and the Colosseum - Hieronymus Cock
Archival giclée
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Description
A detailed sixteenth-century etching by Hieronymus Cock, documenting the architectural ruins of the Septizonium and the Colosseum in Rome.
This etching by Hieronymus Cock depicts the remnants of the Septizonium and the Colosseum in Rome. Cock, a Flemish publisher and printmaker, played a significant role in disseminating images of classical antiquity to Northern Europe during the sixteenth century. His work often captured the fascination with Roman ruins that defined the period, blending topographical accuracy with a sense of melancholic decay.
The composition presents the crumbling structures against a sparse sky. The Septizonium, a monumental nymphaeum built by Septimius Severus, appears on the left with its tiered columns and weathered masonry. To the right, the arched remains of the Colosseum provide a sense of scale and historical weight. Cock employs precise, fine lines to define the texture of the stone, the vegetation clinging to the ruins, and the distant, hazy horizon. Two small figures stand in the foreground, their presence offering a human perspective against the vastness of the ancient architecture.
As a publisher based in Antwerp, Cock commissioned and produced numerous series of prints that documented the architectural wonders of Rome. These prints were instrumental in shaping the visual vocabulary of architects and artists across the continent. This particular work reflects the technical precision of the period, utilising cross-hatching and varied line weights to create depth within the scene. The print captures a moment where the grandeur of the Roman Empire meets the inevitable passage of time, a theme that remained popular throughout the Renaissance and into the Baroque era. The clarity of the etching process allows for the intricate details of the broken arches and columns to remain legible, providing a clear record of these sites as they appeared in the mid-sixteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ruins of the Septizonium and the Colosseum - Hieronymus Cock
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