Russian Printers (Orosia) - Utagawa Yoshikazu
Archival giclée
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Description
A Yokohama-e woodblock print by Utagawa Yoshikazu depicting two Russian figures, capturing the Japanese fascination with foreigners during the mid-nineteenth century.
This woodblock print by Utagawa Yoshikazu belongs to the genre known as Yokohama-e, which emerged during the Bakumatsu period. As Japan ended its policy of national isolation, artists produced these works to satisfy public curiosity regarding foreigners arriving at the port of Yokohama. The print depicts two Russian figures engaged in printing or clerical work, reflecting the Japanese fascination with Western technology, attire, and customs during the mid-nineteenth century.
The composition features two men in European-style coats and caps. One figure stands, holding a document, while the other sits at a table, focused on writing or preparing a manuscript. The artist employs the traditional woodblock technique, using clear outlines and flat areas of colour to define the subjects. The furniture, including the simple table and chair, is rendered with a blend of Japanese perspective and Western subject matter, a common trait in prints from this era. The inclusion of Japanese kanji characters, identifying the subjects as Russian, serves to educate the viewer on the identity of these visitors.
Utagawa Yoshikazu was a student of Utagawa Kuniyoshi and became a prolific producer of these foreign-themed prints. His work captures a specific moment in history when the influx of international traders and diplomats necessitated a visual language to describe the unfamiliar. The print is not a realistic portrait but rather a cultural interpretation, filtered through the aesthetic conventions of the Utagawa school. The muted palette and clean lines provide a clear view of the historical curiosity that defined the Yokohama-e movement. This piece offers a glimpse into the cross-cultural exchange that occurred as Japan began to engage with the wider world, documenting the appearance and activities of those who arrived from abroad.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Russian Printers (Orosia) - Utagawa Yoshikazu
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