Saint Augustine of Hippo Appearing to Saint Mary Magdalene de' Pazzi - Giovanni Giacomo de' Rossi
Archival giclée
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Description
A detailed Baroque engraving depicting the visionary appearance of Saint Augustine to Saint Mary Magdalene de' Pazzi.
This print by Giovanni Giacomo de' Rossi depicts a visionary encounter between Saint Augustine of Hippo and the Carmelite mystic Saint Mary Magdalene de' Pazzi. The composition follows the conventions of seventeenth-century Italian printmaking, utilising a clear division between the terrestrial realm occupied by the kneeling saint and the celestial sphere where Augustine appears amidst clouds and putti.
Saint Augustine is shown in his bishop's regalia, gesturing towards the saint below. His figure is supported by a cluster of cherubs, a common device in Baroque iconography to suggest divine presence. Mary Magdalene de' Pazzi is positioned in the lower right, her posture reflecting a state of religious ecstasy. She holds a book, suggesting her role as a contemplative figure. The architectural elements, including the classical columns, provide a sense of spatial depth, while the background landscape visible through the opening adds a secondary layer of detail to the scene.
De' Rossi was a prominent figure in the Roman print trade, operating a successful publishing house that disseminated works by various artists. This specific engraving demonstrates the technical precision typical of the period, with varied line weights used to define the textures of the ecclesiastical robes, the soft forms of the clouds, and the architectural stone. The play of light, suggested through cross-hatching and stippling, creates a sense of drama consistent with the Counter-Reformation aesthetic. The work serves as a record of the hagiographic traditions popular in Italy during the late seventeenth century, focusing on the mystical experiences of saints as a subject for devotional imagery. The balance between the human figures and the supernatural elements is managed through careful arrangement, ensuring the narrative remains legible despite the density of the composition.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Augustine of Hippo Appearing to Saint Mary Magdalene de' Pazzi - Giovanni Giacomo de' Rossi
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