Saint Barbara, Virgin and Martyr - Schelte Adamsz. Bolswert
Archival giclée
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Made to order
Description
A detailed seventeenth-century engraving by Schelte Adamsz. Bolswert, depicting Saint Barbara with traditional iconography in a refined Baroque style.
This engraving by Schelte Adamsz. Bolswert depicts Saint Barbara, a figure traditionally associated with protection against sudden death. Bolswert, a master of the burin, worked closely with Peter Paul Rubens to translate the painterly qualities of the Flemish Baroque into the medium of print. The composition draws upon the visual language of the Counter-Reformation, presenting the saint with the palm of martyrdom and a halo, while two putti descend from above to offer a wreath.
The technical execution demonstrates the characteristic control of the Bolswert workshop. The artist employs a variety of hatching and cross-hatching techniques to define the heavy folds of the saint's drapery, creating a sense of volume and weight. The background architecture, featuring a stone wall and a wooden door, provides a grounded setting that contrasts with the ethereal presence of the angels. The sword lying at the base of the composition serves as a direct reference to the saint's hagiography, specifically the manner of her execution.
Bolswert was instrumental in the dissemination of Rubens's compositions across Europe. His ability to render light and shadow through line work allowed for the reproduction of complex tonal shifts found in oil paintings. This print is a clear example of the collaborative nature of seventeenth-century printmaking, where the engraver acted as both interpreter and technician. The clarity of the lines and the balanced arrangement of the figures reflect the aesthetic priorities of the period, where religious narratives were communicated through dramatic, yet structured, visual compositions. The work remains a fine example of the high standard of craftsmanship associated with the Bolswert brothers, who were central to the production of high-quality reproductive prints in Antwerp during the seventeenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Barbara, Virgin and Martyr - Schelte Adamsz. Bolswert
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