Saint Euphrasia of Constantinople as a Hermit - Boëtius Adamsz. Bolswert
Archival giclée
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Description
A detailed seventeenth-century engraving by Boëtius Adamsz. Bolswert depicting Saint Euphrasia in prayer, confronted by a demonic figure.
This engraving by Boëtius Adamsz. Bolswert depicts Saint Euphrasia of Constantinople in a moment of ascetic devotion. The composition focuses on the saint kneeling in prayer, her hands clasped around a rosary. She is positioned within a sparse, dark environment, which suggests the isolation of her life as a hermit. Behind her, a demonic figure looms, representing the spiritual trials and temptations she faced during her period of seclusion.
Bolswert employs a rigorous technique of cross-hatching and varied line weights to define the forms. The contrast between the light illuminating the saint and the deep shadows surrounding the demon creates a dramatic tension characteristic of the period. The inclusion of simple objects, such as a bowl and a bundle of twigs on the floor, reinforces the austere nature of her existence. The Latin inscription, 'Sancta Euphraxia', identifies the subject, placing the work within the tradition of hagiographic print series common in the seventeenth century.
As a Dutch engraver, Bolswert was known for his technical precision and his ability to translate complex theological narratives into accessible visual formats. This print demonstrates his skill in rendering texture, from the folds of the saint's simple garments to the grotesque features of the tempter. The work functions as a meditation on faith and the struggle against malevolent forces, rendered with the clarity and discipline typical of Northern Baroque printmaking. The composition is balanced, directing the viewer's attention to the saint's focused expression while acknowledging the external threat posed by the figure behind her. This piece is a representative example of the devotional prints produced in the Netherlands during the early seventeenth century, intended for both private contemplation and wider circulation among the faithful.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Euphrasia of Constantinople as a Hermit - Boëtius Adamsz. Bolswert
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