Saint Paul at Malta - Francesco Bartolozzi
Archival giclée
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Description
A detailed 18th-century engraving by Francesco Bartolozzi, depicting the biblical scene of Saint Paul at Malta after a painting by Benjamin West.
This fine art print reproduces the work of Francesco Bartolozzi, an Italian engraver who spent much of his career in London. The composition is based on a painting by Benjamin West, which depicts the biblical narrative of Saint Paul shaking off a viper after his shipwreck on the island of Malta. The scene is crowded with figures, capturing the dramatic reaction of the local inhabitants and the Roman soldiers present at the event.
Bartolozzi employs a sophisticated technique of etching and engraving to translate West's painterly style into a monochrome medium. The print demonstrates his mastery of line and tone, using varied hatching to define the muscular forms of the figures and the rugged texture of the rocky terrain. The composition is arranged in a vertical, arched format, which draws the eye upward toward the central figure of Saint Paul. The light source appears to emanate from the centre, casting dramatic shadows across the foreground and illuminating the expressions of awe and concern on the faces of the surrounding crowd.
As a prominent figure in the 18th-century British art scene, Bartolozzi was a founding member of the Royal Academy. His ability to render complex historical narratives with such precision made him a sought-after printmaker for contemporary painters. This work reflects the period's interest in grand historical and religious subjects, rendered with the technical discipline characteristic of the Neoclassical era. The print captures the tension of the moment, balancing the chaotic energy of the crowd with the composed, authoritative presence of the apostle. It remains a clear example of the collaborative relationship between painters and engravers during the late 18th century, where the print served as the primary vehicle for disseminating major works of art to a wider public audience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Paul at Malta - Francesco Bartolozzi
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