Saint Roch Distributing Alms - Francesco Brizio
Archival giclée
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Description
A detailed seventeenth-century etching by Francesco Brizio depicting Saint Roch providing aid to the poor within a classical architectural setting.
This etching by Francesco Brizio depicts the charitable acts of Saint Roch, a figure traditionally associated with the protection against plague. Brizio, a pupil of the Carracci family in Bologna, demonstrates the technical proficiency expected of the Bolognese school during the early seventeenth century. The composition is crowded, featuring a multitude of figures gathered within an architectural setting defined by classical arches and columns.
Saint Roch stands on an elevated platform to the left, his posture and gesture directing the flow of the scene as he offers sustenance to the needy. Below him, a diverse group of figures, including mothers with children and the infirm, occupy the foreground. The artist employs varied hatching techniques to define the musculature of the figures and the folds of their garments, creating a sense of volume and movement. The architectural background, while rendered with precision, remains secondary to the human drama unfolding in the foreground.
Brizio often collaborated with other artists of his time, and this work reflects the stylistic influence of Annibale Carracci, particularly in the treatment of the human form and the dramatic arrangement of the crowd. The etching captures a moment of social interaction, focusing on the physical reality of the subjects rather than an idealised representation. The use of light and shadow, achieved through the density of the etched lines, provides a sense of depth to the scene. This print serves as an example of the narrative capabilities of the etching medium during the Baroque period, where the artist sought to communicate complex theological or historical themes through clear, readable compositions. The work remains a study in the application of classical principles to religious subject matter, typical of the artistic output in Bologna during this era.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Roch Distributing Alms - Francesco Brizio
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