Saint-Servan - Auguste Louis Lepère
Archival giclée
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Description
A detailed etching by Auguste Louis Lepère depicting the coastal town of Saint-Servan, featuring the historic Solidor Tower and local harbour life.
Auguste Louis Lepère was a master of the graphic arts, particularly noted for his technical command of etching and wood engraving. This work depicts the coastal commune of Saint-Servan, situated near Saint-Malo in Brittany. The composition captures the quiet intersection of human activity and the maritime environment. In the foreground, two figures rest upon a grassy bank, their forms rendered with economical, precise lines. A wooden fence runs parallel to the water, creating a visual boundary that guides the eye toward the harbour.
Beyond the fence, the harbour contains several small vessels, while the town of Saint-Servan rises in the distance. The architecture is defined by a mix of residential buildings and the prominent silhouette of the Solidor Tower, a medieval fortification that dominates the shoreline. Lepère employs a variety of hatching techniques to suggest the texture of the stone, the movement of the water, and the atmospheric quality of the sky. The smoke rising from a chimney in the middle distance adds a subtle sense of industry to the otherwise tranquil scene.
Lepère was instrumental in the revival of original printmaking in France during the late nineteenth century. His approach to the etching medium prioritised the directness of the needle on the copper plate, allowing for a spontaneous, sketch-like quality that retains the energy of his initial observations. The work demonstrates his ability to balance detailed architectural rendering with the looser, more fluid treatment of the natural surroundings. By focusing on the specific character of the Breton coast, Lepère provides a clear record of the region during a period of transition. The print is a characteristic example of his output, which often documented the changing face of French towns and the daily lives of their inhabitants through a refined, observational lens.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint-Servan - Auguste Louis Lepère
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