Sakanoshita: The Throwing Away the Brush Peak - Utagawa Hiroshige
Archival giclée
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Description
A classic woodblock print from Hiroshige's Tōkaidō series, depicting the scenic Fude-sute-yama mountain and a roadside teahouse at Sakanoshita.
This woodblock print is part of the series The Fifty-three Stations of the Tōkaidō, a collection documenting the route between Edo and Kyoto. Hiroshige depicts the forty-eighth station, Sakanoshita, known for the nearby Fude-sute-yama, or the Throwing Away the Brush Peak. The name originates from a legend involving a painter who, overwhelmed by the mountain's beauty, discarded his brush in frustration at his inability to capture its essence.
The composition balances the rugged, craggy peaks on the left with a teahouse on the right. The mountain is rendered with sharp, angular lines and deep blue washes, contrasting with the soft, atmospheric mist that obscures the base of the slope. In the foreground, travellers rest at a roadside teahouse, while a figure leads a pack animal along the path. The scene captures the daily rhythm of the Tōkaidō road, blending human activity with the imposing presence of the natural environment.
Hiroshige employs a restrained palette, using shades of indigo, ochre, and muted green to define the terrain. The print demonstrates his mastery of spatial depth, using the teahouse as a framing device to draw the eye toward the distant, hazy mountains. The inclusion of calligraphic text in the upper right corner identifies the station and the series, a standard feature of the genre. This work provides a glimpse into the travel culture of the Edo period, where the journey itself was as significant as the destination. The print is a characteristic example of Hiroshige's ability to imbue topographical subjects with a sense of quiet observation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Sakanoshita: The Throwing Away the Brush Peak - Utagawa Hiroshige
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