Samin munnyeondo (Three Scholars Asking the Way) - Owon
Archival giclée
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Description
A traditional Joseon Dynasty painting by Owon, depicting three scholars in a mountainous landscape with fluid ink and colour brushwork.
Jang Seung-eop, known by his art name Owon, remains one of the final masters of the Joseon Dynasty. This work, Samin munnyeondo, depicts three scholars in a mountainous setting, a common theme in East Asian literati painting. The composition balances the figures against the rugged terrain, using a vertical orientation that draws the eye from the foreground pines to the distant, mist-covered peaks.
Owon employs a refined brush technique, particularly in the rendering of the scholars' robes and the textured rock formations. The palette is restrained, relying on soft ochres, muted blues, and ink washes to create a sense of atmospheric depth. The inclusion of a deer in the lower right adds a traditional symbolic element, often associated with longevity and the reclusive life of the scholar.
Unlike the more rigid academic styles of the period, Owon brought a degree of spontaneity to his work. His brushwork is fluid, capturing the essence of the figures rather than focusing on hyper-realistic detail. The scene conveys a quiet interaction, with the scholars positioned on a rocky ledge overlooking a sea of clouds. This piece reflects the late Joseon interest in Daoist themes and the idealised life of the intellectual, removed from the pressures of court politics. The technical execution demonstrates the artist's ability to manage complex spatial relationships within a vertical silk format, ensuring that the human figures remain the focus despite the imposing scale of the natural environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Samin munnyeondo (Three Scholars Asking the Way) - Owon
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