Samuel Collins - William Faithorne the Elder
Archival giclée
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Made to order
Description
A detailed seventeenth-century engraving by William Faithorne the Elder, depicting the physician Samuel Collins within a formal oval cartouche.
This engraving by William Faithorne the Elder depicts Samuel Collins, a physician of the seventeenth century. Faithorne, a master of the burin, was one of the most capable printmakers working in London during the Restoration period. His technical precision allowed him to capture the textures of contemporary fashion, from the elaborate curls of the periwig to the fine lace of the cravat, with remarkable clarity.
The portrait is framed within a classical oval cartouche, a common device in seventeenth-century printmaking that provides a sense of architectural structure. Below the portrait, a coat of arms is displayed, adding a layer of heraldic detail that identifies the subject's social standing. The Latin inscription beneath the image, 'Samuelis Collins, Med: Dris Effigies', confirms his professional status as a Doctor of Medicine. The artist's signature, 'W. Faithorne ad vivum delin. et Sculp.', indicates that the print was created from a life study, a practice that ensured a high degree of likeness in portraiture of this era.
Faithorne's work is characterised by his use of cross-hatching to create volume and shadow. The light source is directed to illuminate the face of the sitter, drawing the viewer's attention to the expression and features of the physician. The surrounding frame, decorated with acanthus-like foliage, provides a decorative contrast to the sober, realistic treatment of the subject. This print serves as a record of the visual culture of the late seventeenth century, reflecting the period's interest in individual identity and the professionalisation of medicine. The composition is balanced and formal, adhering to the conventions of aristocratic and professional portraiture of the time. It remains a fine example of the high standard of English engraving during the late Stuart period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Samuel Collins - William Faithorne the Elder
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