Sappo - Anders Zorn
Archival giclée
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Description
A 1917 etching by Swedish master Anders Zorn, depicting a woman and her dog by the water, rendered with precise, expressive line work.
Anders Zorn, a Swedish artist of international standing, produced this etching, titled Sappo, in 1917. Zorn is widely recognised for his mastery of the etching medium, a skill that allowed him to capture light and texture with remarkable economy. In this work, the artist depicts a woman seated upon a rocky shore, accompanied by a dog. The composition relies on Zorn's characteristic use of rapid, directional lines to define both the human form and the surrounding water.
The etching process enabled Zorn to experiment with the interplay of shadow and reflection. The water, rendered through a series of horizontal and slightly curved strokes, creates a sense of movement that contrasts with the relative stillness of the figures. The woman, shown in a naturalistic pose, interacts with the animal, grounding the scene in a quiet, domestic moment. Zorn's ability to suggest volume and atmosphere through minimal mark-making is evident here, as the cross-hatching on the rocks and the subtle shading on the skin provide depth without the need for excessive detail.
Zorn's work often focused on the rural life of his native Dalarna, yet his technical approach remained informed by his travels and his exposure to European artistic trends. This print demonstrates his capacity to balance the spontaneity of a sketch with the precision required for high-quality printmaking. The signature in the lower margin confirms the authenticity of the impression, reflecting the artist's personal oversight of his print production. As a piece of graphic art, Sappo provides a clear example of Zorn's mature style, where the physical properties of the copper plate are utilised to convey the tactile qualities of the subject matter. The work remains a representative example of his late-career output, maintaining the technical rigour that defined his reputation among his contemporaries.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Sappo - Anders Zorn
Artist Biography
Anders Zorn
He was born in Mora in 1860, studied at the Royal Swedish Academy of Arts in Stockholm, and worked across Paris, London and the United States. His ability to render water and flesh with loose, confident brushwork set him apart from more academic contemporaries. His etchings, numbering roughly three hundred, are considered among the finest of the period.
He returned to Mora later in life, establishing a museum and open-air museum there. The Zorn Museum remains a major cultural institution in Sweden. He died in Mora in 1920, at sixty.
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