Scene from the jōruri Ukina no Hatsugasumi - Torii Kiyonaga
Archival giclée
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Description
A woodblock print by Torii Kiyonaga depicting actors Iwai Hanshirō 4th and Segawa Kikunojō 3rd in a scene from the 1788 jōruri performance Ukina no Hatsugasumi.
This woodblock print by Torii Kiyonaga depicts a scene from the jōruri performance Ukina no Hatsugasumi, staged at the Kiriza theatre in the spring of 1788. The composition features the actors Iwai Hanshirō 4th, appearing as Hisamatsu, and Segawa Kikunojō 3rd, appearing as Osome. They are accompanied by three musicians positioned on a raised platform behind them. One musician plays the shamisen, while the others provide vocal or instrumental support, a common arrangement for theatrical accompaniment in the Edo period.
Kiyonaga is recognised for his tall, graceful figures and his ability to integrate human subjects with their surroundings. In this work, the figures are arranged with a sense of balance that reflects the artist's mastery of the ukiyo-e medium. The actors are dressed in elaborate kimono, with patterns that suggest the status and character of their roles. The inclusion of the musicians provides a sense of the theatrical environment, grounding the interaction between the two central figures within the context of a live performance.
The print demonstrates the technical precision of the Takatsu edition, showing the refined line work and colour application characteristic of Kiyonaga's mature period. The muted palette, dominated by soft yellows, greens, and earthy tones, directs attention to the expressive gestures and facial features of the actors. This work offers a glimpse into the popular culture of late eighteenth-century Edo, where the theatre served as a primary source of entertainment and fashion. By capturing this specific moment from the stage, Kiyonaga preserves the aesthetic conventions of the time, from the stylised poses of the kabuki actors to the specific instrumentation of the musical ensemble. The print remains a record of the collaborative nature of theatrical production, where the visual arts and performance arts intersected to create a unified experience for the audience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Scene from the jōruri Ukina no Hatsugasumi - Torii Kiyonaga
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