Scheeps-timmerwerf van de O.I.C. te Rotterdam - Carel Frederik Bendorp (I)
Archival giclée
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Description
A detailed eighteenth-century etching depicting the Dutch East India Company shipyard in Rotterdam, featuring a ship under construction and local street life.
This etching provides a detailed view of the shipbuilding yard belonging to the Dutch East India Company (O.I.C.) in Rotterdam. Carel Frederik Bendorp (I) captures the industrial activity of the late eighteenth century with precision. The composition is dominated by the skeletal hull of a large vessel under construction, which looms over the shipyard walls. Windmills, common features of the Dutch urban periphery during this period, frame the scene and provide a sense of scale to the maritime infrastructure.
The foreground depicts daily life in the vicinity of the yard. Figures in period dress, including a horse-drawn carriage and pedestrians, traverse the path. The inclusion of dogs and casual observers adds a narrative quality to the scene, grounding the industrial subject in a social context. Bendorp employs fine hatching to define the textures of the wooden ship, the foliage, and the clouds, demonstrating the technical proficiency required for topographical documentation of the era.
As a record of maritime history, the print offers insight into the scale of shipbuilding operations in Rotterdam. The Dutch East India Company was a major economic force, and its shipyards were central to the city's identity. This work functions as both an aesthetic object and a historical document, preserving the appearance of the docklands before the industrial transformations of the nineteenth century. The print reflects the interest in local topography and national industry that characterised Dutch printmaking during the late Enlightenment. It remains a clear example of the documentary style favoured by Bendorp, who frequently depicted the urban and maritime environments of the Netherlands with a focus on clarity and descriptive accuracy.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Scheeps-timmerwerf van de O.I.C. te Rotterdam - Carel Frederik Bendorp (I)
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