Section of a Handscroll with Waka and Underpainting of Pines - Hon'ami Kōetsu
Archival giclée
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Description
A reproduction of a Japanese handscroll featuring elegant waka calligraphy layered over gold-painted pine trees by Hon'ami Kōetsu.
This fine art print reproduces a section of a handscroll attributed to Hon'ami Kōetsu, a central figure in the early Edo period. Kōetsu was a polymath, known for his work in calligraphy, ceramics, and lacquerware. This piece demonstrates the collaborative nature of the Rinpa school, where calligraphic mastery meets decorative painting. The work features waka poetry written in a fluid, expressive hand, layered over a subtle underpainting of pine trees rendered in gold and silver pigments.
The composition balances the rhythmic flow of the Japanese kana and kanji characters with the sparse, elegant forms of the pines. The gold underpainting provides a luminous quality, typical of the aesthetic preferences of the period. The interaction between the text and the imagery is intentional, as the poetry often evokes the natural world depicted beneath it. The paper itself is mounted with decorative borders, reflecting the traditional format of the handscroll, or emaki, which was designed to be viewed in segments as it was unrolled.
Kōetsu's approach to calligraphy is noted for its boldness and variation in line weight, which contrasts with the more restrained styles of his contemporaries. The pine trees, while simplified, possess a distinct character, suggesting the influence of the Tawaraya workshop. This print captures the delicate balance of negative space and decorative detail, offering a view into the refined artistic culture of seventeenth-century Japan. The muted tones of the ink against the metallic gold create a visual harmony that is both understated and sophisticated. This reproduction maintains the integrity of the original brushwork, allowing for a close examination of the calligraphic technique and the application of precious metals on paper.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Section of a Handscroll with Waka and Underpainting of Pines - Hon'ami Kōetsu
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