Senshu, Ushidaki Tano - Utagawa Hiroshige II
Archival giclée
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Description
A woodblock print by Utagawa Hiroshige II depicting the Ushidaki waterfall in Senshu, framed by autumn maple leaves.
This woodblock print belongs to the series 'A Hundred Views of Famous Places in the Various Provinces', a collaborative project that followed the success of earlier topographical series. Utagawa Hiroshige II, a student and successor to the master Utagawa Hiroshige, produced this work during the final years of the Edo period. The composition employs a common ukiyo-e device: framing the distant scenery through a foreground element. Here, the dark, sturdy trunk and branches of a maple tree dominate the immediate view, their autumn foliage rendered in shades of russet and brown.
Beyond the frame of the tree, the eye travels to the Ushidaki waterfall in Senshu province. The water cascades down a verdant hillside, contrasting with the muted tones of the foreground. The artist uses a clear, graphic approach to define the mountain ridges and the architectural structure visible on the right bank. The sky transitions from a deep blue at the top to a pale yellow near the horizon, suggesting the light of late afternoon.
Technically, the print demonstrates the precision of the woodblock medium. The lines are clean, and the colour blocks are applied with care to maintain the balance between the natural elements and the human-made structures. The inclusion of the series cartouche in the upper right corner identifies the work within the broader collection of provincial views. This print offers a glimpse into the aesthetic priorities of the mid-nineteenth century, where the observation of nature and the documentation of regional sites were central to the production of popular art. The work remains a clear example of the technical standards maintained by the Utagawa school during this period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Senshu, Ushidaki Tano - Utagawa Hiroshige II
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