Shed with Sunflowers - Vincent van Gogh
Archival giclée
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Description
A delicate pen and watercolour drawing by Vincent van Gogh, depicting a rural shed surrounded by sunflowers in the Arles countryside.
This work by Vincent van Gogh, created during his productive period in Arles, demonstrates his mastery of line and wash. The composition features a modest shed positioned against a vast, open sky, with tall sunflowers clustered near a wooden fence. A small figure stands to the left, providing a sense of scale to the rural setting. Van Gogh employs a combination of ink strokes and watercolour washes to define the textures of the wooden structure and the organic forms of the flora.
The artist uses a palette dominated by blues, yellows, and earthy tones. The sky is rendered with light, directional strokes that suggest movement, while the sunflowers are captured with quick, energetic marks. This piece reflects his interest in the daily life of the Provençal countryside, where he sought to document the simple architecture and vegetation of the region. The use of ink allows for precise detailing of the fence and the shed, while the watercolour adds a layer of atmospheric depth to the scene.
Van Gogh often experimented with different media during his time in the south of France. This drawing serves as an example of his ability to balance graphic clarity with the fluidity of paint. The perspective is straightforward, drawing the eye across the foreground towards the shed and the distant horizon. By focusing on the interplay between the man-made structure and the natural growth of the sunflowers, the artist creates a balanced composition that captures a quiet moment in the day. The work remains a clear example of his technical approach to drawing, where the ink lines provide the structural framework for the application of colour.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Shed with Sunflowers - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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