Shimei Cursing David - Aegidius Sadeler (II)
Archival giclée
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Description
A detailed seventeenth-century engraving by Aegidius Sadeler (II) depicting the biblical confrontation between Shimei and King David.
This engraving by Aegidius Sadeler (II) depicts the biblical narrative of Shimei cursing King David, an episode found in the Second Book of Samuel. The composition captures the dramatic tension of the encounter, with Shimei positioned on the left, arm raised to cast stones at the retreating monarch. David, central to the scene, is surrounded by his armed guard, his posture conveying a sense of stoic restraint amidst the verbal assault. The background features architectural elements reminiscent of European fortifications, blending classical motifs with the dramatic flair characteristic of the Northern Mannerist tradition.
Sadeler, a member of the prominent Sadeler family of engravers, was active in Prague at the court of Emperor Rudolf II. His technical proficiency is evident in the precise cross-hatching and the varied line weights used to define the musculature of the figures and the textures of their armour. The print demonstrates the period's interest in dynamic movement and theatrical expression. The figures are rendered with a sense of physical weight, their poses exaggerated to heighten the emotional stakes of the narrative. The inclusion of Latin text at the base provides the theological context for the scene, framing the event as a meditation on patience and divine providence.
As a master of the burin, Sadeler excelled at translating complex painterly compositions into the monochromatic medium of the engraving. This work reflects the sophisticated print culture of the early seventeenth century, where such images were circulated among collectors and scholars. The attention to detail, from the ornate shields to the distant landscape, illustrates the high standards of craftsmanship maintained by the Sadeler workshop. This print offers a glimpse into the intersection of religious history and artistic practice during the late Renaissance, capturing a moment of conflict with clarity and technical rigour.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Shimei Cursing David - Aegidius Sadeler (II)
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