Shinpūren Rebellion - Tsukioka Yoshitoshi
Archival giclée
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Description
A dramatic woodblock triptych by Tsukioka Yoshitoshi depicting the 1876 Shinpūren Rebellion, capturing the conflict between traditional samurai and the modernising Meiji state.
This triptych by Tsukioka Yoshitoshi depicts the Shinpūren Rebellion of 1876, a violent uprising in Kumamoto led by a group of traditionalist samurai. The rebels opposed the rapid modernisation of Japan during the Meiji period, specifically the prohibition of swords and the abolition of the topknot. Yoshitoshi, a master of the late Ukiyo-e tradition, captures the chaotic energy of the conflict through a dramatic composition that spans three panels.
The scene is dominated by a sense of urgency and movement. Figures are dressed in traditional armour, brandishing spears and swords against a backdrop of dark, turbulent skies. The colour palette is aggressive, utilising deep reds, blacks, and stark whites to convey the intensity of the battle. Yoshitoshi employs his characteristic attention to detail in the rendering of the warriors, their expressions, and the specific heraldry on their banners. The composition is dense, with figures overlapping to create a sense of claustrophobic combat.
As one of the final major practitioners of the woodblock print tradition, Yoshitoshi often turned his attention to historical and contemporary events. This work functions as a visual record of a period of significant social friction in Japan. The artist balances the requirements of a narrative print with a keen eye for psychological tension. The figures appear caught in a moment of desperate action, their forms defined by sharp, decisive lines. The print reflects the anxieties of a nation in transition, where the values of the past collided with the demands of a new era. By documenting this specific insurrection, Yoshitoshi provides a window into the cultural conflicts that defined the late nineteenth century in Japan, moving away from the idealised subjects of earlier Ukiyo-e artists to focus on the visceral reality of historical struggle.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Shinpūren Rebellion - Tsukioka Yoshitoshi
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