Shirasuka, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Katsushika Hokusai, depicting travellers at the Shirasuka station along the historic Tokaido road.
This woodblock print by Katsushika Hokusai depicts Shirasuka, the thirty-second station along the Tokaido road. The series, titled Fifty-three Stations of the Tokaido, documents the journey between Edo and Kyoto. Hokusai captures the travellers at a coastal vantage point, where the geography of the region meets the daily movement of people.
The composition features a group of figures in the foreground, including a standing traveller adjusting his hat and others carrying heavy packs. Their postures suggest the fatigue of a long journey. To the left, a figure points towards the sea, where small boats are visible on the horizon. The background consists of rolling hills and stylized clouds, rendered with the characteristic economy of line found in Hokusai's early work. The colour palette remains restrained, relying on soft ochres, greens, and muted tones to define the coastal environment.
Unlike the later, more famous series by Utagawa Hiroshige on the same subject, Hokusai's interpretation focuses on the human element within the travel narrative. The figures are drawn with clear, expressive outlines, and the spatial arrangement creates a sense of depth without relying on complex perspective. The print serves as a record of the social and physical geography of Edo-period Japan. It reflects the popularity of travel literature and guidebooks during the nineteenth century, which encouraged the public to engage with the sights of the Tokaido route. This print is a fine example of the technical precision of the woodblock medium, showing the collaborative process between the artist, the carver, and the printer.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Shirasuka, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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