Silhouetportret van Bernardus Theodorus van Loo - Elisabeth Alida Haanen
Archival giclée
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Description
A refined nineteenth-century silhouette portrait of Bernardus Theodorus van Loo by Dutch artist Elisabeth Alida Haanen, rendered in ink on paper.
This silhouette portrait depicts Bernardus Theodorus van Loo, rendered with the precision characteristic of nineteenth-century Dutch portraiture. Elisabeth Alida Haanen, a member of a prominent family of artists, demonstrates a refined command of the profile format. The work captures the subject in a strict side profile, a technique that prioritises the clarity of facial features and the distinct outline of the sitter. The use of solid black ink creates a stark contrast against the neutral paper background, while subtle tonal variations within the silhouette suggest the texture of the subject's hair and the fabric of his coat.
The inclusion of the handwritten inscription 'Schilder' (painter) above the portrait and the subject's name below provides a formal, archival quality to the piece. Such silhouettes were popular during the early nineteenth century as a portable and accessible method of capturing a likeness before the widespread adoption of photography. Haanen's execution is clean and deliberate, focusing on the essential geometry of the human head and shoulders. The framing lines around the silhouette add a sense of order and containment, typical of the period's interest in structured presentation.
As a fine art print, this piece offers a minimalist aesthetic suitable for various interior styles. The monochromatic palette ensures that the focus remains entirely on the silhouette's form and the elegance of the script. This work provides a glimpse into the social history of the Netherlands, documenting the appearance of individuals within the artistic circles of the time. The preservation of the original paper tone and the delicate ink work makes this a compelling example of historical portraiture, reflecting the technical skill required to achieve a recognisable likeness through the economy of line and shadow.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Silhouetportret van Bernardus Theodorus van Loo - Elisabeth Alida Haanen
Artist Biography
Elisabeth Alida Haanen
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
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