Silhouetportret van Cornelis Kruseman - Elisabeth Alida Haanen
Archival giclée
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Description
A refined silhouette portrait of the Dutch painter Cornelis Kruseman, executed in ink and wash by Elisabeth Alida Haanen.
This silhouette portrait depicts the Dutch painter Cornelis Kruseman, captured in profile. Elisabeth Alida Haanen, a member of a prominent family of artists, demonstrates a precise command of the silhouette medium. The work relies on the stark contrast between the dark, opaque form of the subject and the neutral, light-toned paper background. By focusing exclusively on the outline of the head and shoulders, the artist captures the essential physical characteristics of the sitter, including the distinct shape of his nose, the set of his jaw, and the texture of his hair.
Silhouette portraiture gained popularity in the early 19th century as a refined, accessible method of recording a likeness. This example is executed with a high degree of technical control, particularly in the rendering of the collar and the subtle suggestion of the cravat. The inclusion of the subject's name, written in a fluid script below the image, provides a clear identification of the sitter, who was a contemporary of the artist. The number 60 in the upper corner suggests this piece was once part of a larger collection or a series of portraits.
Haanen was known for her ability to render subjects with clarity and restraint. This portrait avoids unnecessary ornamentation, allowing the viewer to focus on the silhouette as a graphic representation of the individual. The composition is framed by thin, hand-drawn lines, which provide a sense of order and focus to the page. This print offers a glimpse into the social and artistic circles of the Netherlands during the early 19th century, documenting a figure of note through a medium that prioritises form and profile over colour or complex shading.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Silhouetportret van Cornelis Kruseman - Elisabeth Alida Haanen
Artist Biography
Elisabeth Alida Haanen
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
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