Silhouetportret van Gerrit Jan Michaëlis - Elisabeth Alida Haanen
Archival giclée
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Description
A refined ink silhouette portrait of the painter Gerrit Jan Michaëlis by Dutch artist Elisabeth Alida Haanen, dating from the early nineteenth century.
This silhouette portrait depicts the Dutch painter Gerrit Jan Michaëlis in profile. Executed in ink on paper, the work captures the subject through a solid black form, a technique that gained popularity during the early nineteenth century as an accessible method of portraiture. The artist, Elisabeth Alida Haanen, was a member of a prominent family of artists and is recognised for her skill in genre painting and portraiture.
The composition is minimalist, focusing entirely on the outline of the subject. The silhouette is framed by a simple rectangular border, which provides a sense of structure to the page. Above the portrait, the word 'Schilder' (painter) is inscribed, identifying the profession of the sitter. Below the image, the signature of Gerrit Jan Michaëlis appears in elegant cursive script. The contrast between the dark ink of the silhouette and the light tone of the paper creates a clear, graphic effect.
Silhouettes of this period often served as personal mementos or records of social circles. Haanen demonstrates a precise hand in the rendering of the facial features and the collar of the coat, conveying the character of the sitter despite the lack of internal detail. This piece offers a glimpse into the artistic milieu of the Netherlands during the Biedermeier era, where domestic portraiture was a common practice among the educated classes. The work remains a clean example of the silhouette tradition, prioritising clarity of form and historical documentation over decorative embellishment. It is a quiet, understated piece that reflects the aesthetic preferences of the time, focusing on the essential profile of the individual.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Silhouetportret van Gerrit Jan Michaëlis - Elisabeth Alida Haanen
Artist Biography
Elisabeth Alida Haanen
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
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