Sir Matthew Holworthy - Sir Godfrey Kneller
Archival giclée
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Made to order
Description
A formal portrait of Sir Matthew Holworthy by Sir Godfrey Kneller, capturing the refined attire and composed posture typical of late seventeenth-century British portraiture.
This portrait depicts Sir Matthew Holworthy, a merchant and benefactor, captured during the height of the Restoration period. Painted by Sir Godfrey Kneller, the work reflects the stylistic conventions of late seventeenth-century British portraiture. Kneller, who arrived in England in the 1670s, quickly became the most sought-after painter for the aristocracy and the merchant class. His approach to portraiture prioritised a balance between formal dignity and the individual character of the sitter.
Holworthy is shown in a three-quarter length pose, dressed in a deep blue velvet coat that suggests his social standing and wealth. The fabric is rendered with attention to the way light catches the pile of the velvet, creating subtle tonal shifts across the folds. His attire is completed by a white cravat, a common fashion accessory for men of status during this era. The large, voluminous periwig frames his face, drawing attention to his composed expression. The background is kept dark and relatively indistinct, a technique used to push the figure forward and create a sense of presence without the distraction of a complex setting.
Kneller’s brushwork is controlled and precise, particularly in the rendering of the facial features and the texture of the clothing. The composition follows a standard arrangement for the period, with the sitter’s hand resting on a plinth, a gesture that conveys stability and confidence. This portrait provides a clear view into the aesthetic preferences of the late Stuart period, where the focus remained on the representation of status through dress and posture. The work remains a representative example of the portraiture that defined the British art scene before the turn of the eighteenth century, demonstrating the technical proficiency that allowed Kneller to dominate the market for decades.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Sir Matthew Holworthy - Sir Godfrey Kneller
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