Slag bij Oosterweel, 1567 - Johann Wilhelm Baur
Archival giclée
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Description
A detailed 17th-century etching by Johann Wilhelm Baur documenting the 1567 Battle of Oosterweel with a descriptive cartographic key.
This etching by Johann Wilhelm Baur depicts the Battle of Oosterweel, a military engagement that occurred in 1567 during the early stages of the Eighty Years' War. The composition provides a wide, elevated perspective of the conflict, which took place near the river Scheldt, visible on the right side of the frame. Baur employs a cartographic approach to the scene, incorporating a prominent cartouche at the top centre that lists key locations and events identified by alphabetical markers. This method allows the viewer to track the movement of troops, the burning of buildings, and the chaotic retreat of the Gueux forces into the water.
Baur, a German artist known for his work in Rome and Vienna, often focused on detailed narrative scenes. His technical approach here relies on fine, precise lines to delineate the topography and the small, active figures engaged in combat. The foreground shows soldiers in the river, while the middle ground captures the intensity of the skirmish near the village. The inclusion of the river Scheldt and the distant silhouette of Antwerp provides geographical context to the historical event. The work functions as a visual record of the conflict, balancing the requirements of a map with the dramatic elements of a battle scene. The use of a scroll-like header adds a decorative, classical element to the otherwise stark documentation of warfare. This print offers a clear view into the methods used by seventeenth-century artists to document historical events for a contemporary audience, prioritising clarity and information over emotional interpretation. The etching remains a valuable resource for those interested in the military history of the Low Countries and the development of topographical printmaking in the Baroque period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Slag bij Oosterweel, 1567 - Johann Wilhelm Baur
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