St. Martin - Martin Schongauer
Archival giclée
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Made to order
Description
A masterful late fifteenth-century engraving by Martin Schongauer, depicting the iconic moment of Saint Martin dividing his cloak for a beggar.
Martin Schongauer, a master of the Northern Renaissance, produced this engraving during the late fifteenth century. The composition depicts Saint Martin of Tours in the act of dividing his cloak with a sword to clothe a beggar. Schongauer employs a sophisticated system of hatching and cross-hatching to define the forms, creating a sense of volume within the drapery and the figures. The saint stands with a gentle, contemplative expression, his posture balanced and elegant. The beggar, positioned at the lower right, provides a stark contrast in physical condition, rendered with a focus on anatomical detail that reflects the artist's keen observation of the human form.
The technical precision of the engraving demonstrates Schongauer's command over the copper plate. Every line serves a purpose, whether to suggest the texture of the fur-lined garment or the weathered skin of the beggar. The artist's monogram, M+S, is visible at the bottom centre, a mark that became widely recognised across Europe during this period. This work is representative of the shift in printmaking, where the medium moved from a purely functional tool for reproduction to a sophisticated art form capable of conveying complex narratives and emotional depth.
Schongauer was a significant figure in the development of German printmaking, influencing subsequent generations of artists, including Albrecht Dürer. His ability to combine naturalistic detail with a refined sense of composition allowed him to elevate the status of the engraving. This print offers a clear view into the aesthetic priorities of the late Gothic period, where religious themes were treated with both reverence and a growing interest in the physical reality of the world. The clarity of the lines and the balance of the figures remain a subject of study for those interested in the evolution of European graphic arts.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
St. Martin - Martin Schongauer
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